PPN (Katalog-ID): | 1023949547 |
1. Verfasser: | Aldama, Frederick Luis |
Medienart: | E-Book |
Sprache: |
Englisch |
Jahr: | 2018 |
Erschienen: |
Milton, Routledge, 2018
|
Serie: |
Routledge Companions to Gender Ser
|
Schlagworte: |
Mass media and culture Popular culture Sex role Sex |
ISBN: |
9781351717212 1351717219 9781138894952 1138894958 |
In: | Routledge Companions to Gender Ser |
Umfang: |
1 Online-Ressource (453 pages) |
Links: |
Volltext Inhaltsverzeichnis |
Volltext: | Zur Publikation (Direktlink*) |
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520 | |a Cover -- Half Title -- Endoresment -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- Contributors -- Introduction: Putting gender and sexuality at the center of all that goes pop in Latin America -- Works cited -- Suggested further reading -- Part I: Transmedial re-mediations -- Chapter 1: Hybrid mass culture -- Notes -- Works cited -- Chapter 2: The Latin American flâneur in the digital age -- Flânerie: From Paris to Havana -- Caminando Bogotá through pointing and clicking -- Strolling and jumping rooftops in colonial Havana -- The next generation of computational flâneur art? -- Notes -- Works cited -- Chapter 3: Intersections of gender and gaming in Latin America -- Representation, identification and gender in games -- Gender and player demographics in Latin America -- Gender dynamics of Latin American game development -- Gender and gameplay in 21st-century Latin America -- Gaming, gender and intersectionality in contemporary Latin America -- Works cited -- Chapter 4: La lotería mexicana: Playing with heteronormativity -- An introduction to lotería mexicana, its commercialization and ethnic pride -- Lotería as Mexicanidad and its subversive potential -- Heteronormative coding and recoding -- Imagining alternatives: Queer lotería -- Works cited -- Chapter 5: Diasporic intersectionality: Colonial history and Puerto Rican hero narratives in 21: The Story of Roberto Clemente and La Borinqueña -- 21: The making of a hero -- La Borinqueña as Afro-Latina -- Notes -- Works cited -- Chapter 6: Drawing up a 'post'-Latin America: The possibilities and limits of gender imagination in post-apocalyptic, post-human, and post-historical graphic narrative -- Reborn in rubbish and violence: Broken hyper-masculinity after the end of times -- Women as post-humankind: Reading cyborg and Maya-futurist graphic novels -- Works cited | ||
520 | |a Chapter 7: Tito Guízar on Radio Row: Intermediality, Latino identity, and two early 1930s Vitaphone shorts -- Notes -- Works cited -- Part II: Bending genre -- Chapter 8: Interior design and homoerotic spaces in José Asunción Silva's De sobremesa -- The birth of interior design and the separation of gender roles -- Home, camp and thing theory -- De sobremesa and its campy interior design -- Notes -- Works cited -- Chapter 9: Melodramatic attachments: On Puig's Boquitas pintadas -- Exquisite anxiety -- Melodrama, tout court -- Puig's Boquitas pintadas -- Heterosexual pleasures -- Melodramatic masculinity and pedagogy -- Bound lessons -- Notes -- Works cited -- Melodramatic attachments: On Puig's Boquitas pintadas -- Chapter 10: Sex with aliens: Dramatic irony in Daína Chaviano's "The Annunciation" -- Notes -- Works cited -- Chapter 11: Villain or victim?: Undermining the memory of Japanese Peruvians in Augusto Higa Oshiro's Gaijin (Extranjero) -- Notes -- Works cited -- Chapter 12: Art, literature, and mass media in Pedro Lemebel -- Sexuality as cultural expansion of the political -- Lemebel's relation to mass media -- The crónica as mass-mediated literature -- Notes -- Works cited -- Part III: Re-constructing silver screen imaginaries -- Chapter 13: Neoliberal pigmentocracies: Women and the elite body politic in neoliberal Mexican cinema -- Notes -- Works cited -- Chapter 14: Class, gender, race in recent filmic urban Brazilian spaces -- Os Inquilinos -- Disenfranchisement and marginalization: Positioning gender and race -- Urban violence and the politics of representation -- Linha de Passe -- Notes -- Works cited -- Chapter 15: El roc ha muerto, viva el roc: Countercultural heroines in Sergio García Michel's Super 8mm cinema -- Notes -- Works cited -- Chapter 16: Starring Mexico: Female stardom, age and mass media trajectories in the 20th century | ||
520 | |a Mapping the field, carving a space -- Mapping trajectories -- Notes -- Works cited -- Chapter 17: Hemisexualizing the Latin lover: Film and live art interpretations and provocations -- A genealogy of the Latin lover in the Americas -- Hemisexual provocations: Meet Rrrricarrrdo -- Do you want to try something new? -- Works cited -- Filmography -- Chapter 18: Transnational queerings and Sense8 -- It's not gay if you're a real macho: Passivity and Mexican queerness -- Lito Rodríguez: Professional liar by day, private queen by night -- Works cited -- Chapter 19: Good gringos, bad hombres: The postlapsarian films of Mel Gibson -- The gringo rises -- The gringo dies -- The gringo comes again -- Notes -- Works cited -- Part IV: Putting the feminist and queer pop in the pictorial arts -- Chapter 20: Graffiti in Latin America: Preliminary notes -- Chapter 21: Graffiti School Comunidad: A feminist arts pedagogy of empowerment -- Notes -- Chapter 22: Contemporary Amerindian imaginaries and the challenge of intersectional analysis -- To do or not to do -- Maya voices -- The tyranny of time -- Concluding remarks: Fighting racism and sexism -- Works cited -- Chapter 23: The photography of Thomaz Farkas and the Estádo de Pacaembu: A theatre of Brazilian male homosociality -- Notes -- Works cited -- Part V: Bend it like Pelé -- Chapter 24: A "friendly" game: Homoaffectivity in Club de Cuervos -- Performing masculinity on the pitch -- Soccer and homosociality -- Soccer's homoaffectivity: Perturbing masculine myths -- Technologies of gender: Constructing on-screen soccer heroes -- Club de Cuervos: Deconstructing the Mexican macho -- Notes -- Works cited -- Chapter 25: Reading race and gender in The Black Man in Brazilian Soccer and beyond -- Woman as subaltern in the world of soccer and soccer narratives | ||
520 | |a Filho's savage hybridity: Racial integration of soccer and the persistence of the color line -- The color line as challenged and experienced by a pioneering black coach: Gentil Cardoso -- From color line to gender line in Brazilian and international soccer -- Note -- Works cited -- Chapter 26: Hard punches, vulnerable bodies: Latin American boxing films and the intersections of gender, class, and nation -- Boxing and film: A match made in ringside heaven -- Portraying 'real men': Masculinity and its problems -- The fists of a nation: Durán, masculinity, and U.S.-Panama relations -- The limits of myth: La Yuma and gender precarity -- Notes -- Works cited -- Chapter 27: "The Blizzard of Oz": Ozzie Guillén and Latino masculinities as spectacle -- Setting the stage of Latino spectacle: Race, masculinities and media -- Ozzie Guillén and Latino racial spectacle -- "The Blizzard of Oz" moves to Miami -- Contextualizing Guillén's Latino racial spectacle -- Notes -- Works cited -- Part VI: Alt-hemispheric sound and body performatics -- Chapter 28: Somos Mujeres Somos Hip Hop: Feminism and hip hop in Latin America -- "We all come from a very machista culture": Hip hop in Latin America -- "My rap isn't feminine, but feminist": Individual feministas, collective feminism -- Notes -- Works cited -- Chapter 29: Weirded soundscapes in contemporary Chilean narrative -- Notes -- Works cited -- Chapter 30: Dance as medicine: Healing bodies in Nicaragua from the colonial period to the present -- Notes -- Works cited -- Chapter 31: Gender performativity and indigenous conceptions of duality in the Inti Raymi-Jatun Puncha Festivals of Cotacachi, Ecuador -- Works cited -- Part VII: Staging nuevo hemispheric identities -- Chapter 32: Beside motherhood: Staging women's lives in Latin American Theatre of the Real -- The mother as a feminist subject | ||
520 | |a Staging the mother: Vivi Tellas -- Lola Arias -- Lagartijas Tiradas al Sol -- Notes -- Works cited -- Chapter 33: Can saraus speak to gender and migrant politics in São Paulo? -- Context -- Background -- Clearing space: Saraus in Brazil -- Immigration and cultural representation -- Sarau dos Refugiados -- Immigrant and refugee saraus as a promising but precarious convergence -- Notes -- Works cited -- Chapter 34: Transfeminism and fake mustachios: Sayak Valencia's decolonial critique at the U.S.-Mexico border -- Heteropatriarchal hegemony and the political uses of language -- Fascinating violence and necro-empowering in Mexico's cruel modernity11 -- Notes -- Works cited -- Chapter 35: Proud sinvergüenza or foolish maricón?: Manu NNa's challenge to Mexican homonormativity -- Homonormativity and the sinvergüenza -- Balancing acts -- You can't say that on TV -- Notes -- Works cited -- Chapter 36: The Cuban Missile Crisis of white masculinity: Tito Bonito and the burlesque butt -- Epistemology of the butt -- The labor of the butt -- Notes -- Works cited -- Index | ||
650 | 4 | |a Mass media and culture |x Latin America | |
650 | 4 | |a Popular culture |x Latin America | |
650 | 4 | |a Sex role |x Latin America | |
650 | 4 | |a Sex |x Latin America | |
651 | 4 | |a Latin America |x Civilization | |
776 | 1 | |z 9781138894952 | |
776 | 0 | 8 | |i Print version |a Aldama, Frederick Luis |t The Routledge Companion to Gender, Sex and Latin American Culture |d Milton : Routledge,c2018 |z 9781138894952 |
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